Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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CARPACCIO, Vittore
The Pilgrims Meet the Pope (detail) kk

ID: 05861

CARPACCIO, Vittore The Pilgrims Meet the Pope (detail) kk
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CARPACCIO, Vittore The Pilgrims Meet the Pope (detail) kk


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CARPACCIO, Vittore

Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | The Ambassadors Depart (detail) fdg | Apotheosis of St Ursula (detail) fdh | Meeting of the Betrothed Couple (detail) sdg | The Stoning of St Stephen g | Meeting of the Betrothed Couple and the Departure of the Pilgrims |
Related Artists:
Raffaellino del garbo
Italian Early Renaissance Painter , ca.1466-1524 Italian painter and draughtsman. According to Vasari, he began as the most gifted assistant of Filippino Lippi and the most promising painter of the new generation but never fulfilled expectations, deteriorating into mediocrity and worse. Raffaellino's first known work is the frescoed vault of a small antechamber off Filippino Lippi's Carafa Chapel in S Maria sopra Minerva, Rome, uncovered during restoration in the 1960s. It was decorated with pagan themes, to Filippino's designs, apparently after the main chapel was completed in 1493. Filippino's influence is evident in the all'antica detail and animated figure style, to which Raffaellino brought a youthful freshness and charm. Vasari, in his account of the vault, likened it to an illuminator's work. It has been suggested that Raffaellino remained in Rome and worked with Bernardino Pinturicchio in the Borgia apartments in the Vatican, where some frescoes of 1495 show stylistic affinities with Raffaellino's work in S Maria sopra Minerva.
Mrs Alexander Farmer
Birthdate: 10 July 1853 Birthplace: Crawfordsville, Indiana
Palmer, Samuel
English, 1805-1881 English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery.






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